Mod Squad

Is 'Tribal Mid-century' even a thing?  Well, that's what I'm calling this pair!

Fabulous French artisan lampwork beads by Un Vent de Liberte.

Very cool asymmetrical charms by Yvonne Irvin-Faus which are made of painted plexiglass.

Thanks for stopping by my bead table today!

I know my taste can be eclectic and sometimes I get questions or comments about my stash of supplies. Well, I simply buy what catches my eye or what moves me emotionally. Normally when I make a purchase it will sit in the drawer a long while - even years.  Last week, for example, I bought a tiny vintage glass pickle button, circa 1930.  I have no clue how that will be used in the future, but I know it will be waiting for me when the time is right! 

Loralee xo

https://www.facebook.com/loraleekolton.jewelry/

Charming Green Elephants

This is the season of renewal, the season of Green!  Elephants are a symbol of strength, power, and wisdom.

Vintage celluloid elephant charms circa the 1940s. 

Gorgeous polymer, tribal-inspired flowers by Kimberly Rogers of Numinosity.

Sweet little vintage buttons.

I hope you all have a good and safe week!  Keep the faith!

Loralee xo

https://www.facebook.com/loraleekolton.jewelry/

Classic Tribal Ceramics: New Design

I can't think of too many who do rustic tribal components and beads better than the wonderful Jana Bližňáková, and I'm fortunate to have been able to create with her distinctive art components for years. I'm happy to share these earrings, featuring beautiful classic rustic matte ceramic pieces by her, constructed with not much more than lovely red glass beads and 3-ply black waxed linen thread.

I love the "perfect imperfection" of these rustic pieces, and the shapes of the pieces themselves make them conducive to fiber wrapping.  Before I start working, I make sure my hands are clean, because dirt, oil, crumbs, cat hair (💗), etc., are not your friends when you're working with waxed thread.  (I can't tell you how many times I've had to waste time touching up photos because a fiber or a dog/cat hair showed up on my photos.)  I stretch the thread to straighten it and make sure it's not too waxy.  I thread the waxed linen through their various spaces, in and out, over and back, pulling it tight enough to make a stable earring but not enough to break anything (yikes!).  When I'm through, I tie the ends and then snip off the excess and go on to the next section.  There are four wrapped sections in this design.

When everything's finished, I glue the little thread ends to the back of the components and cover them with paper, which I glue and glaze after the glue dries.  I covered these earrings with red handmade paper:

The earrings are little (about 2 inches) and lightweight.  😊

Thank you kindly for reading!  I'll see you in the second week in August. 
xoxo
Meridy

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Tribal Fringe

Helloooo Bead Peeps!  This is a short but sweet posting today as I'm off to Bead & Button in Milwaukee, WI this morning!

True confession:  I have forgotten who made these lovely tribal ceramic connectors so If anyone can identify them, please let me know!  I've paired them with some wonderful African glass, wrapped sari silk and some vintage golden beads.

I made the fringe by recycling some scrap gold plated parts.  Originally, I was going to hang them from jump-rings but, I really wanted them splayed apart so I messy wrapped them directly to the wire connector to achieve that effect.  

Thank you for stopping by today!  Hoping to find some unusual goodies at B&B this week!  I'm also on the hunt for new tools.  Most importantly, I'm looking forward to seeing my beady tribe!

Loralee xo

wwwloraleekolton.etsy.com

Icy Spicy Blue

I love when pastels are set against earthy browns and greys - it just makes them all the more beautiful.

Although perfectly matched, the two components I've paired together couldn't be more different!  

The large ceramic focal charms called "Circle Of Water" and were made by Nadia Terra.  They are 35mm, bold, but still lightweight. So rustic and beautiful!  I love the brush strokes showing through.

The accent beads are vintage lampwork glass circa 1950's.  They are a combination of that same brownish-grey with a glossy organic ice blue pattern.  

 Thank you for popping in today!  Hope you found a little color inspiration :))

Loralee xo

You can find these earrings in my shop below:

loralee kolton ~ artful in beads

Happy Ending For The Bride & Groom!

While preparing for their wedding day, this June bride and groom experienced a near tragedy!  *Gasp!

Either the agate bead had a hidden flaw, or pressure from the steel wire wrapping was too tight for the etched Dzi bead and it crumbled right in my hand.

I thought of a couple of options, but as you know, you don't get a second chance wrapping lampwork headpins.  Once you've made the commitment (like our happy couple, here) there's no turning back!

Even before the mishap, I had wanted to bring more warm gold tones into the design.  So, I decided to do a fabric wrapped bead in a mellow gold tone wire on a dark background.  I had also thought of stacking ornate open jump-rings but there would be too much gold on one side; this had better balance.

I think the Mr. is looking even more dapper now.  I love this design far better than the original!  Now they compliment one another and each has their own individual style - like every couple should. 

~

Umm, it's honeymoon time...we should be leaving now I'm thinkin'.

♡

I hope if you experience a mishap while working, you'll think of it as a challenge!  You may discover a new technique or come out with an even better design!  I believe many refer to it as a "happy accident".

The amazing skulls were made by Gaea Cannaday of Gaea Handmade.

The lampwork headpins are the creations of Kimberly Rogers of Numinosity Beads.

Many thanks for stopping by today, it's always a joy to be here and show you what's happening on my work table!

Loralee xo

Loralee Kolton ~ artful in beads

Owls On My Worktable

Hello Beady Peeps!

Recently I had the opportunity to do a handmade trade with Foxpaw Beads.  I chose some items for myself that I had been drooling over, and in return, she sent me some of her favorite charms to create earrings with.  Here are one of three pair.   :)

Two little carved ceramic owls of different sizes with horizontal holes.

I adore the body pattern on the owls, one had stripes and the other, dots.   I really wanted to play on that feature so I did some digging and found some nice pieces in that rich reddish brown and subtle grey.

I used an orphan African ceramic Kazuri bead with stripes and dots.  Next, I found some wonderful spacers by Heather Powers of Humblebeads with a feather like pattern and a deep pink base.

I needed to build some height onto the shorter of the two, so I added a large pinkish/grey, rustic vintage pearl.  I think it added light and softness to the design, as well as length.

Work in progress shot.  A little decorative support to keep them steady.  I continued the wire wrapping partially around the frame and clipped off a couple of wires.

♡

I've fallen for these guys and I'll be sending a piece of my heart back with them.

♡

This is the next pair I'll be working on.... I'm still deciding my direction - we shall see!   I will show you the final design next time!  

As always, thank you for stopping by and having a peek!  

Loralee xo

Loralee Kolton ~ artful in beads

I'll Follow The Sun...

These completely knock me out of the winter doldrums! Stunning enamel charms by Cathleen Zaring of Blue Hare Art Wear.  I wanted to set that color off to its fullest, so I went with all black as the companion piece.  Extra fuzzy fabric beads by SagaHus  gave me the impact I was looking for....bold but still soft.  All you would need is a black top and you'd have an outfit!

☀

Hot enamel spikes by Spurwink River Arts!  I wanted to add more pattern but it keep a modern clean line, so I went with a nice thin black and white stripe with a pop of red on the top.  They have a nice tribal vibe.

I'm looking out the window as snow flurries whirl around a grey sky in Chicago.  However, it's nice and sunny inside :D  Hope I've brightened your day, too! 

Loralee xo

☀

Loralee Kolton ~ artful in beads

Criss-Cross Applesauce

I know, what does applesauce have to do with this?  Do you remember that saying from when you were a kid?? ... No, you say, I'm just ancient!... lol.  Well, maybe I should update it to "criss-cross awesomesauce"...that'd work, too,  lol!

 The pairs of earrings below have a couple things in common,  a wonderful cross-over wire pattern and cool bar-beads which lend to that tribal look I love so much.  

The amazing hand painted focal beads are by Nooma Cav of Inviciti. They are made of wood so they are super lightweight even though they are on the larger side.  I used painted round wood beads in green to draw that magnificent color back to the top.  The ceramic red bars are by Michelle McCarthy of FireflyStudio and she makes them in an array of colors.  

Stunning enamel pieces by Cathleen Zaring of Blue Hare; Polymer accent beads by Heather Powers of Humblebeads.  I adore the detail in Heather's beads, it brings so much to a design of a smaller scale like earrings.

It's freezing and kind of grey here in the mid-west, it was so nice to play with some bold colors!  

Thank you for stopping by!!

Loralee xo

Loralee Kolton ~ artful in beads

Plastered

A very good friend of mine is about to move. And not into any old house, but a >150 year old rehabbed work-of-art house in historic downtown Cincinnati. When they bought the property nearly two years ago it was trashed. Not just trashed, but DECIMATED. A hub for a wide variety of unsavory activities, to put it nicely. Floorboards were rotted out clear through to the basement. Stairs to the second and third floors were missing. No running water, no electricity, no legal occupants for decades. It smelled. I toured the property when they first purchased it and my jaw was on the floor.

My friend's husband is a very talented contractor---some would say he's an artist, although I'm sure he'd balk at that, being the "man's man" that he is. He takes old, dilapidated, historic buildings and materials and gives them new life. Over the past two years, I've been fortunate to witness his work on this house at various stages:



We have a front door!
We can walk to the third floor!
We have working lights! 
We have toilets!

My favorite part of their new home is the plaster walls. These original walls, they're gloriously scratched, coated with layers of layers of paint and wallpaper, stained from years of water and smoke damage. Rather than patch, sand, and paint over all this history, they chose to expose it---strip off the paint in some areas, let a patch of color pop through here, maybe a snippet of brick there. They sealed the walls with quality sealant, not unlike what I use when sealing ceramics, metal, or polymer. And now they are breathtaking. 

The amount of work he put into this place has been dizzying. He has turned it into a glorious, sexy, rustic, urban-industrial piece of art, all while honoring its roots. The time has finally come for them to leave their current home and move into this labor of love, so they've been on my mind this week. 

I tell this story because today's earrings remind me of those plaster walls. The ceramic drops at the bottom are made by the lovely Claire of somethingtodobeads. They have been sawdust fired, giving them that smoky, fumed, earthy look. Some of the outer layers have crackled away, exposing other layers, just like with those walls. I love them and have been saving them for a special pair. I capped them with wee bead caps and hung them from old two-toned striped African glass trade beads and big blobs of blackened silver solder. Delightfully swingy, edgy, and tribal. 

Love you, Susan! 

Happy Wednesday,
Nikki
LoveRoot on Etsy

Feet of Clay

As we close the curtains on one hell of a year, I'm reminded on how very important it is to be humble. When everything is going right in your life and you can do no wrong, well, that's an amazing feeling and a great place to be. But it's also an easy place to be. It's the trying times, the dark times, the times when you're weighed down by a 2-ton pile of boulders---those are the times that shape us and show us who we are. And motivate us to work harder on who we would like to be in the future.
 
Staying humble---remembering that we are all human, finite, imperfect...that we all have feet of clay---is an essential component to emotional and mental health, and ultimately, happiness. 

Today's earrings seem to have resonated with quite a few people, so I'd like to share them with you, dear readers. You know how much I love to discover old, obscure bits of anthropology. One of my latest finds are pumtek beads. Dating back as far as 400BC, the Chin people in Burma created pumtek beads from opalized wood indigenous to the area. They were worn as protective amulets, prized as heirlooms, and are signature for their striped and zig zag "lightening" patterns. Incredible.

I have used two of these precious pumtek beads to create little bud earrings using graduated stacks of rusty bead caps topped with dots of blackened silver solder. Time-worn, humble, and of-the-earth.

Thank you to each and every one of you for reading this year. Your support, uplifting words, and kinship are rays of sunshine to each of us on this blog. May your 2017 be full of light!

Happy Wednesday,
Nikki
LoveRoot on Etsy

Bound and Twined

A couple posts ago I mentioned how I have been further exploring the use of fibers in my pieces to add textural and tactile variety. I use a lot of "hard" components---stone, metal, ceramic, glass, etc. So in the ever-present quest for balance, I like to add in some "soft" ingredients, as well. 

The problem I have with so many textile-based materials is that they wear too easily. Either that or they discolor or soil, like sari silk, and are almost impossible to wash when incorporated into a larger piece. So I've found myself turning more and more to waxed twines made of durable material, such as hemp, flax, and nylon. 

I'm such a fangirl of the magical and talented Rey at greybirdstudio and have always appreciated the way she wraps, weaves, and melts fibers into her intricate, organic pieces. So when she started offering her hand-waxed, dyed Belgian flax twine for sale to other makers such as myself, I squealed with excitement. The process she goes through to create the soft leathery finish is painstaking yet without a doubt worth it. I had the good fortune of snapping up a bundle of it one day---if you follow her work, you'll know how quickly things fly out the door! 

The twine is very fine and has a nicely tacky quality to it, allowing it to stick nicely to itself when overwrapped, as I did on the "bead caps" in today's pair. Bonus points that the fibers will not discolor with wear and contact with our skins' natural oils. I took a matched set of beautiful blush chohua jasper---one of my favorites---and knotted and wrapped and knotted and wrapped and knotted and wrapped and...well, you get the picture. 

I was at the Field Museum of Natural History in Chicago last week and was amazed at the ancient jewelry from many of the native tribes of North America. OK, amazed is an understatement. My husband had to restrain me at certain points. But the underlying technique and overall aesthetic of today's earrings remind me of some of those pieces. Art influences art, always!

Happy Wednesday, 
Nikki
LoveRoot on Etsy

Blessed with Cracks

Aren't we all, though? 

Conventional wisdom has taught us that cracks, imperfections, and vulnerabilities are bad. A sign of sub-par quality. Something to be avoided. 

Well, turn that thinking on its ear. Cracks are an opportunity to be flexible, to expand, to grow. They can also allow us a way to get rid of baggage that we don't need. If we are strong, inflexible, unwavering, and impermeable, then we miss out on so many opportunities. Cracks are a sign that we've been through hell and are here to tell the tale. 

Leonard Cohen, one of my favorite artists and poets, said it so well in "Anthem":

"The birds they sang
at the break of day
Start again
I heard them say
Don't dwell on what
has passed away
or what is yet to be.

Ring the bells that still can ring
Forget your perfect offering
There is a crack in everything
That's how the light gets in."

 
Today's earrings feature a deliciously crackled and distressed pair of etched "agate eye" beads from Tibet. I burnished them with wax so they have that warm, soft, well-worn-through-generations-of-hands look. As I've been doing lately, I kept it simple, pairing them with faceted milky white ceramic beads from the ever talented Simona of Happy Fallout. Dots of blackened silver solder complete the crunchy industrial tribal vibe that you know I love. My own hand forged copper ear wires and pitted fat headpins complete the look. 

Proudly showcase your cracks, ladies and gentlemen! They are a sign of strength and openness--not imperfection. 

Happy Wednesday, 
Nikki
LoveRoot on Etsy

The Fringes of Society

Some days we really do feel like telling everyone to just kiss off, don't we? 

All the expectations, obligations, mores, fashion ideals, traditions, and respectability in the world could not mean less to us in these moments. We're looking for a way to express the fact that we're tired of XYZ (insert whatever you please, here). We're over it. All of it. And we're looking for something different. 

See, now, many people may argue that you're being childish, you're pouting, you're rebelling in such a pathetically predictable way. I say this: it's those who are brave enough to leave the herd that are most capable of discovering new ways forward. Getting pissed off can be a good thing if we choose to channel that energy in a constructive way. 

The past month or so I've been coming to terms with the fact that this year has not been among the best. Perhaps I've been in the "anger" stage of coping, I'm not sure. But I'm not too proud to admit that I have had definite moments of rage--a rare emotion for me. 

So it makes sense that I haven't been creating as much in the studio this year. The spark is still there, it's just not burning in quite the same frenetic supernova blaze that it was last year. That's ok, because I'm going to give myself time. I'm going to tell my own self expectations to buzz off. I'm going to give myself permission to not feel guilty for saying "no" to custom orders. And I'm going to take things at my own damn pace. It's the most loving act of rebellion I can think of.

Today's earrings fall nicely in line with my "f-off" mentality, as they're big, they're wild, they're looong, and they refuse to be overlooked. They feature two carved horn shields from India that have been painted or shellacked, resulting in a lovely crackled honeycomb pattern. Truth be told, I could have just hung these charms from ear wires and been perfectly happy. However, I took the opportunity to add in some additional relatively lightweight components to turn them into real statement pieces. Rusty hoops added behind provide a layered halo effect, and a cascade of mixed metal chain fringe spills all the way down to your shoulders, creating music as you move. Everything hangs from my hammered dark copper ear wires and ends up being a lot less weighty than you'd expect. These earrings don't even need to be paired with a necklace, bracelet, or ring--they can stand strongly alone.

Happy Wednesday!
Nikki
LoveRoot on Etsy