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Showing posts with label native. Show all posts
Showing posts with label native. Show all posts

Wednesday, October 5, 2016

Bound and Twined

A couple posts ago I mentioned how I have been further exploring the use of fibers in my pieces to add textural and tactile variety. I use a lot of "hard" components---stone, metal, ceramic, glass, etc. So in the ever-present quest for balance, I like to add in some "soft" ingredients, as well. 

The problem I have with so many textile-based materials is that they wear too easily. Either that or they discolor or soil, like sari silk, and are almost impossible to wash when incorporated into a larger piece. So I've found myself turning more and more to waxed twines made of durable material, such as hemp, flax, and nylon. 

I'm such a fangirl of the magical and talented Rey at greybirdstudio and have always appreciated the way she wraps, weaves, and melts fibers into her intricate, organic pieces. So when she started offering her hand-waxed, dyed Belgian flax twine for sale to other makers such as myself, I squealed with excitement. The process she goes through to create the soft leathery finish is painstaking yet without a doubt worth it. I had the good fortune of snapping up a bundle of it one day---if you follow her work, you'll know how quickly things fly out the door! 

The twine is very fine and has a nicely tacky quality to it, allowing it to stick nicely to itself when overwrapped, as I did on the "bead caps" in today's pair. Bonus points that the fibers will not discolor with wear and contact with our skins' natural oils. I took a matched set of beautiful blush chohua jasper---one of my favorites---and knotted and wrapped and knotted and wrapped and knotted and wrapped and...well, you get the picture. 

I was at the Field Museum of Natural History in Chicago last week and was amazed at the ancient jewelry from many of the native tribes of North America. OK, amazed is an understatement. My husband had to restrain me at certain points. But the underlying technique and overall aesthetic of today's earrings remind me of some of those pieces. Art influences art, always!

Happy Wednesday, 
Nikki
LoveRoot on Etsy

Wednesday, August 3, 2016

Tangled Up In...Sinew?

Now, I know what you're thinking: "Sinew? Errrrrrrr...ewww?" 

Yes, I agree. 

Next fall will mark 15 years that I've been a devoted vegetarian. So rest assured when I promise you that the sinew used in these earrings is completely faux, imitation, no animals harmed. It consists of polyester fibers which have been spun together and waxed, making it tacky to the touch yet pliable and knottable. Good buddy Kimberly Rogers of Numinosity Beads fame turned me on to this material a bit ago. 

 
My crude knotting pales in comparison to some of the intricate, exacting work seen in many cultures, both old and modern. But I really dig the native primitive vibe that it adds to pieces. Plus I'm always looking for ways to incorporate textiles and fibers that will hold up to the test of time and wear. 

 


I've had a leisurely summer in the studio but am on the cusp of releasing a new batch of earrings that feature grungy, earthy neutrals, since that's where my head has been lately. This taupe and fawn hued pair fit the bill nicely. The stones are Polish flint, otherwise known as banded flint or striped flint. Mined in Poland, this stone is famous for its swirling, mesmerizing banding. At first glance the color may seem rather boring, but relax your eyes and let the patterning lure you in...peaceful magic.

To create these, I knotted faux sinew around the tops of each stone to form "caps" of a sort and then hung each from my extra long oxidized copper ear wires. Simple, versatile, soothing, neutral, unique.

Happy Wednesday!

Nikki
LoveRoot on Etsy