For those of us who gravitate toward art beads---and who doesn't, really?---we tend to have favorite bead artists that we keep going back to, time and time again. Can't seem to shake em. And just when you think that 1.5 trays of their beads are going to satisfy your hunger, they list new components and you find yourself going back again for another fix, like a zombie in the endless pursuit of BRAAAAAAAINS.
One of the bead artists on my short list is Marsha Neal. I remember buying from her years ago when I first started designing jewelry and I still buy from her to this day. Her abstract, organic shapes and earthy glazes have captured and held my fascination through quite a lot of creative growth on my part--through it all, her beads have always played a note in my cumulative song.
Some of my favorite beads are her twisted horns. It's clear that she takes great care in forming them but still lets them take on their own unique, evocative shape. I have yet to find two that match perfectly--that's part of the magic, for me.
For this pair, I used a slate blue-gray matte glazed pair of horns, stacked them with vintage German pressed wood beads, and capped them with rusty petal bead caps. Throw in some blackened soldering to fill the gaps, hang them from some of my extra long ear wires, and you've got two edgy pieces of art for your ears.
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