Half Cracked

I've never been one for smooth, shiny, flawless surfaces in my metalwork. There are plenty of artists out there who do it and do it beautifully. I prefer a little more texture, distress, and time-wear. Maybe it's because I'm an old soul with lifetimes behind me, who knows?

So I surprised myself last week when I was tinkering in the studio with some fold formed copper charms. Rarely one to plan out an exact design beforehand, I started out this pair by simply annealing matched squares of copper, folding them, hammering flat, annealing again, and unfolding---revealing beautiful rustic creases in the metal. Now normally I would next turn to my favorite texturing rock (plucked from our garden) and start banging away as if my life depended on it. For some reason, I stopped short halfway through this time. 

How about we just leave half shiny, smooth, and serene---as a stark contrast to the chaos of the textured side?

And this is how designs are born. 

I'm quite fond of making coin-like discs out of copper, so that's the final shape I decided to go with here. Reminiscent of an ancient coin plucked from the soil, perhaps. I filed a bit along the folds of each, sanded, sanded, sanded, oxidized, buffed, and sealed with wax. Simple, perfect for everyday wear, yet noteworthy enough to make you feel like a pagan goddess. 

Happy Wednesday!
Nikki
LoveRoot on Etsy

RinTinTin

I've had a hankering lately to play with materials that I've taken a break from in the past year, including tin--both vintage and new. I shared this story earlier in the week on my Facebook page, but I do believe it bears elaboration here. 

My husband and I host a family Christmas party every year. Last year someone brought cookies on a red and white tin plate which got left behind at the end of the night. For all of the past 12 months, Matt and I have kept the plate stashed on top of the fridge, loathe to throw it away because it was kind of nice, but not wanting to keep it because it's not really our style. Being slick, flat tin, it would occasionally slide off the fridge and clatter to the ground, eliciting expletives and foul moods. 

the devil platter on the workbench

Last week I decided that enough was enough. I took metal shears and cut it up for use in hollow tinned metal baubles. Annoyance eliminated, jewelry gained. 

Using a technique elaborated by guru Tracy DiPiazza of pipnmolly, I cut out circles in the tin, gradually dapped them into half spheres, soldered them together using my soldering iron, filed, sanded, oxidized, and waxed. In the past I have typically hung each bauble with a lightweight wood bead of some sort. However, since I've been headed in a "less is more" direction the past year, I decided to let these little wonders speak for themselves. I simply torched up some fat-bottomed copper headpins, dotted them on top with some additional silver solder, and hung them from my long copper ear wires.


I did a whole series in different prints and colors. And when they were all done I sat on my couch and let them pour through my hands, making the most delightful muted popping noise. 

Quite the transformation--from annoying clatter to music for the ears. 

Happy New Year!
Nikki
LoveRoot on Etsy

Feet of Clay

As we close the curtains on one hell of a year, I'm reminded on how very important it is to be humble. When everything is going right in your life and you can do no wrong, well, that's an amazing feeling and a great place to be. But it's also an easy place to be. It's the trying times, the dark times, the times when you're weighed down by a 2-ton pile of boulders---those are the times that shape us and show us who we are. And motivate us to work harder on who we would like to be in the future.
 
Staying humble---remembering that we are all human, finite, imperfect...that we all have feet of clay---is an essential component to emotional and mental health, and ultimately, happiness. 

Today's earrings seem to have resonated with quite a few people, so I'd like to share them with you, dear readers. You know how much I love to discover old, obscure bits of anthropology. One of my latest finds are pumtek beads. Dating back as far as 400BC, the Chin people in Burma created pumtek beads from opalized wood indigenous to the area. They were worn as protective amulets, prized as heirlooms, and are signature for their striped and zig zag "lightening" patterns. Incredible.

I have used two of these precious pumtek beads to create little bud earrings using graduated stacks of rusty bead caps topped with dots of blackened silver solder. Time-worn, humble, and of-the-earth.

Thank you to each and every one of you for reading this year. Your support, uplifting words, and kinship are rays of sunshine to each of us on this blog. May your 2017 be full of light!

Happy Wednesday,
Nikki
LoveRoot on Etsy

Controlled Chaos

So much of what we do as artists boils down to this: controlling the chaos. 

Come on now, you know what I mean, I know you can relate. You have all these ideas and inspiration bubbling around in your hot little skull and they just won't give you a moment's peace:

• You caught Blade Runner on TV the other weekend and its gritty cyberpunk cityscape has been haunting you. 
• You were cleaning out the garden last spring and came across a fragile translucent snake skin snagged in some brush. 
• While you were driving to your parents' house in the country you passed this dilapidated barn half-covered with peeling crackled paint, half-covered with moss.
• After you finished reading Suttree, you couldn't stop visualizing that ragpicker passage over and over again. 
• That head of romanesco cauliflower you roasted for dinner yesterday--remember the fractal peaks and whorls that seemed otherworldly?
• That dream you had the other night...wow. 

For those with artistic inclinations, it can sometimes be challenging to organize all these ideas into a coherent vision that translates into our medium of choice. I have days where I flit from one project to another like a hummingbird. It's thrilling to have ideas popping into your head rapid-fire, but it can also be exhausting. Learning to take a deep breath, focus, and hone in on one vision...well, it ain't easy. Sometimes we have to be willing to let some go in order to fully realize others.


This week's pair of earrings is a metaphor for that attempt to control--or better yet, to be at peace with--that chaos. Any metalsmith will tell you that reticulating silver is an exercise in...blind luck. I created each charm by carefully taking a piece of silver through the process of reticulation with repeated heating and quenching to obtain the crumpled topographic texture that you see. I quite literally had (almost) no control over what the melting metal was doing under the torch. Half the time when I reticulate silver I'm just hoping and praying that I get a piece that's interesting and usable. These two charms ended up being completely asymmetrical yet beautifully matched--a little miracle! 

 
I filed off the rough edges, oxidized to bring out the contrast in texture, sealed to protect the finish, and hung them from some of my long sterling silver ear wires. A much needed personal reminder that we must strive to both control and flow with the chaos. Too much of one and not the other, and we get lost down the wormhole.

Happy Wednesday,
Nikki
LoveRoot on Etsy

The Best Laid Plans

I had a vision. 

I was lying in bed--drifting, woozy, floating in that liminal netherworld where ideas come to us so fluidly. What I would do, see, is I would take a piece of copper and fold form it and beat it over some rocks, see, and then texture it and punch it and file strategic places and shape it just so and...

I awoke the next morning with vague recollections of my vision and headed straight to the studio to bring it to fruition. Fifteen minutes into the project when the copper buckled and snapped, I realized:

shit, this isn't going to work

See, sometimes our dreamy ideas seem perfectly logical and functional. And then we go to execute and we realize they could use a little more refinement. There is nothing wrong with this. Rome wasn't built in a day. There is beauty to be found in the process.

Today's pair of earrings features the salvaged results of this vision. I took the two snapped pieces of copper, trimmed them up, softened up the edges, oxidized, sanded, and turned them into simple lightweight earring tabs. And you know what? For being "failures", I'm really quite fond of them. Funny how that works. When life gives you lemons...well, you know.

Happy Wednesday!
Nikki
LoveRoot on Etsy

Blessed with Cracks

Aren't we all, though? 

Conventional wisdom has taught us that cracks, imperfections, and vulnerabilities are bad. A sign of sub-par quality. Something to be avoided. 

Well, turn that thinking on its ear. Cracks are an opportunity to be flexible, to expand, to grow. They can also allow us a way to get rid of baggage that we don't need. If we are strong, inflexible, unwavering, and impermeable, then we miss out on so many opportunities. Cracks are a sign that we've been through hell and are here to tell the tale. 

Leonard Cohen, one of my favorite artists and poets, said it so well in "Anthem":

"The birds they sang
at the break of day
Start again
I heard them say
Don't dwell on what
has passed away
or what is yet to be.

Ring the bells that still can ring
Forget your perfect offering
There is a crack in everything
That's how the light gets in."

 
Today's earrings feature a deliciously crackled and distressed pair of etched "agate eye" beads from Tibet. I burnished them with wax so they have that warm, soft, well-worn-through-generations-of-hands look. As I've been doing lately, I kept it simple, pairing them with faceted milky white ceramic beads from the ever talented Simona of Happy Fallout. Dots of blackened silver solder complete the crunchy industrial tribal vibe that you know I love. My own hand forged copper ear wires and pitted fat headpins complete the look. 

Proudly showcase your cracks, ladies and gentlemen! They are a sign of strength and openness--not imperfection. 

Happy Wednesday, 
Nikki
LoveRoot on Etsy

Shady Sinner

I seem to be in the minority when I say that I really don't prefer jewelry/beads/components that include words. Which is an odd thing for me to say, being a self avowed word nerd, bookaholic, and walking dictionary. There's something about the bluntness (?) of it that doesn't appeal to me. It's hard to describe, other than you will 99.9% of the time never see these in my work. The same goes for beads and charms that feature humans or body parts. But that's another story.


HOWEVER. 

 
When my latest order of ceramic beads from the insanely talented and lovely Claire of somethingtodobeads arrived, she included a generous pair of freebies: grungy twirled smooshed ceramic beads stamped with two simple, devious, wicked words---SHADY and SINNER. 

Now, when I laid eyes on this pair, my first thought was oh, now that's cheeky. And my next thought was wait, those actually kinda go together. Followed quickly by a grin and an oh yes, challenge accepted. 

 
And, thusly, today's pair of earrings was born. I torched my own fat-bottomed copper headpins, strung each ceramic bead on, and then topped them with graduated stacks of rusty, crusty, patina-riddled bead caps---no two the same. I dotted the top loop of each with some silver solder, gave each earring a good oxidation bath, and then hung each from one of my long curvy copper ear wires. Swingy, potbellied little devils.

Happy Wednesday!
Nikki
LoveRoot on Etsy

Repeat Offender

For those of us who gravitate toward art beads---and who doesn't, really?---we tend to have favorite bead artists that we keep going back to, time and time again. Can't seem to shake em. And just when you think that 1.5 trays of their beads are going to satisfy your hunger, they list new components and you find yourself going back again for another fix, like a zombie in the endless pursuit of BRAAAAAAAINS. 

One of the bead artists on my short list is Marsha Neal. I remember buying from her years ago when I first started designing jewelry and I still buy from her to this day. Her abstract, organic shapes and earthy glazes have captured and held my fascination through quite a lot of creative growth on my part--through it all, her beads have always played a note in my cumulative song.

Some of my favorite beads are her twisted horns. It's clear that she takes great care in forming them but still lets them take on their own unique, evocative shape. I have yet to find two that match perfectly--that's part of the magic, for me.

For this pair, I used a slate blue-gray matte glazed pair of horns, stacked them with vintage German pressed wood beads, and capped them with rusty petal bead caps. Throw in some blackened soldering to fill the gaps, hang them from some of my extra long ear wires, and you've got two edgy pieces of art for your ears.


Happy Wednesday!
Nikki 
LoveRoot on Etsy

Take It Eeeeeeasy

Ever feel like you're taking a cop-out easy route with one of your designs? But you really don't care because the end result turns out so perfectly that you wouldn't change a thing? 
 
I had some of that guilt when I made this pair a couple weeks ago featuring some more of Kimberly Rogers' deliciously mismatched lampwork glass headpins. The glass itself is a very soothing, neutral, streaky birch color---I've been gravitating more and more toward neutrals and earth tones over the past year. I wanted to highlight the fact that Kim deliberately made one headpin twirled like a horn and left the other drippy. What better way to do that than to make one of my soldered caps twirled and the other smooth? And the "I feel so clever" moment: I switched up the swirls. Oooooo, gettin' tricky!


Ok, so it's not a complex design. I could have hung these headpins beneath stacks of grungy precious bits, like I'm wont to do. I could have hung them from gnarly hoops or used them as focals in a chandelier-style pair. But lately I've been craving stated simplicity. 

To be honest, it's almost more difficult to reign yourself in when designing. At least for me, anyways. Plus, I always try to be sensitive to the wearability of pieces. It's one thing to create a masterpiece for a gallery or a competition, but it's another thing to make pieces that people are able to wear and love every day of their lives. That's the miraculous thing about creating art---every artist has unique goals for their work. There's never a wrong or a right answer. It just is. And that's a beautiful thing. 

Happy Wednesday!
Nikki
LoveRoot on Etsy

Spinners

Earlier this summer I wrote about how I had bought a bike and was beginning my cycling journey in an effort to combat this "jeweler's ass" that I've mysteriously managed to amass *cough*...

I'm happy to report to that I'm steadily winning the war. But more importantly, I have an empowering way to get outside, move, savor the changing of the seasons, and be alone with my thoughts.

I have approached my bike with the same kind of blossoming passion that I approach jewelry. It started with an uneducated leap of faith and has gradually turned into an all-encompassing learn-as-you-go journey. I feel that I'm part of a community and am so grateful for that--that goes for both cycling and jewelry making. My heart is full.

So in the vein of "spinning", here's a glowy little pair of spinners that I created several weeks ago. These feature a pair of lampwork glass Basha beads from her "blue black" series. I speared them on hand forged copper and wire wrapped them just-so, allowing them to rotate freely on their spindles, throwing light every time you move your head.

Happy Wednesday!

Nikki
LoveRoot on Etsy

The Art of Restraint

A very kind woman gifted me with a very generous compliment the other week:

"...you do something very mature, as an artist. You know when to stop with a piece. Most people load on all but the kitchen sink, but your pieces are restrained and elegant. That is a rare quality." 

When I stopped grinning, squealing, and blushing like mad, I had to pause and think, because she hit on something that I strive very hard to emphasize with my pieces: less is more; more is just more. 

As designers, it can be hard to self-edit, especially when you're surrounded by mounds of attractive, colorful, shapely unique beads:

"Ooooooo, I've always loved these beads, let's add in a couple here."
           and
"Ack, the colors of these match those perfectly, let's add in a couple here."
           and 
"Crap, I forgot I wanted to include these stones, let's add in a couple here." 

And before we know it, our designs can get unwieldy, impractical, and sometimes gaudy. 

Knowing when to stop or when to remove components from a design can be a tricky thing. We may feel like we are dumbing things down, like we haven't invested enough time and creative energy into a piece, like it's too simple. I'm here to tell you that's BS! Unless you're planning on hitting the red carpet, a runway, or an art gallery opening somewhere, most people don't typically wear ginormous overwrought pieces of jewelry. Not that there's anything wrong with statement pieces - I do plenty of those - that's a discussion for another day!

 
Case in point: these demure ceramic raku squares from local artist Jennifer Pottner of Urban Raku. Her work is INCREDIBLE. I visited with her the other week at a local bead show and snagged this pair from her table. Their muted, velvety dark gold and plum hues really spoke to me - the colors of autumn without clubbing you over the head with pumpkins and scarecrows and bright orange and all that. The size on the squares was enough to make a statement itself, plus I didn't want to cover up too much of that beautiful finish. So I chose to give them simple ridged soldered "belts". Sleek, geometric, artful, and restrained as all get out.

So the next time you're feeling the need to do more, ask yourself if you could actually do with a little less :) 

Happy Wednesday!
Nikki 
LoveRoot on Etsy

One Day I Will Be A Mountain...

...but today I am a fault. 

Oh, how I can relate. I mean, life is all about duality and growth, right? We all have sides to ourselves that make us proud, and of course the sides that make us want to do better. Sometimes it's extremely gratifying to walk in darkness, while other times we seek the light and peaceful way. Positive and negative, light and dark, life and death. I love exploring these dichotomies, both in my jewelry design and the titles behind each piece.

 


I especially love how these warm organic earrings evolved from cold hard metal. I used a simple fold-form technique on copper sheet to obtain the weathered "fault" lines. I then added in myriad punches for that decayed pock-marked look, and applied lots of pounding, heat, and magic to help to create that natural vivid red patina. The overall shapes are evocative of wings---or perhaps leaves---both of which bring to mind the idea of growth. See how many opposing adjectives I chocked into this paragraph? It's all about the dichotomies, baby.

The most wearable earrings for me are those that contain multitudes without overdoing the components, color palette, or the weight. I strive to achieve this balance in my designs, but it's also not bad advice for life, in general. 

It ain't always easy, but it's most always worth it!

Happy Wednesday!

Nikki
LoveRoot on Etsy

Fundamentally Me

For anyone who asks, I tell them that my work is just as much about finding unique components as it is about fancy technique. I'm by no means the most widely accomplished jeweler in terms of depth and breadth of skills. But I do have a keen eye for beads, stones, fossils, and random found objects that have artistic potential. I'm not going to divulge how many hours of my life have been spent surfing the web for strange items or pawing through bead/rock show tables. Let's just say it all goes "into the soup". 

I'm especially fond of stocking up on treasures that I know I'll most likely never ever find again. Seems like a smart approach, right? Until your hoard starts to cast shadows on the floor...I digress.

Something that I found a few years ago and have been greedily holding on to are these fossilized echinoderm "petals". Echinoderms include sand dollars and sea urchins---so when you look at these fossils, imagine their spokes or arms. I saw these fossils and snapped up more than a few pairs, knowing that they were fundamentally ME: rustic, old, organic, neutral earth-tone. 

A couple weeks ago I bravely decided to cut one pair loose. Continuing with the soldered bead cap concept that I've been working lately, I added in a rustic spiral to each cap to give some energy and movement to the metal. I think it helps accentuate the shape of the fossils, as well. A healthy dose of oxidation and buffing really help to bring out the underlying texture and pattern. Add in some of my extra long ear wires and you've got versatile, crunchy, dark, edgy little twins for your ears.

Hope your week is a delicious one!

Nikki
LoveRoot on Etsy

Asymmetry and I

As a designer who gravitates toward earrings, I'm always thinking in terms of pairs, especially when it comes to purchasing art beads. It's just one of those things that gets engrained in your brain and becomes second nature---like riding a bike, remembering to turn off the burner when you're done cooking, or making sure you put on deodorant each morning.

So when Kim of NuminosityBeads threw me for a loop and offered just ONE of these crazy glowy ultraviolet etched dichroic lampwork glass beads, well, I was vexed. Panting, starting to break out into a cold sweat, I assured myself that I could incorporate it into a necklace...make it a focal...pair it with other complementary beads. It will be fine, right? RIGHT??!!

Against my better judgement, I was determined to make it work in a pair of earrings. Which could only mean one thing: it was time to get asymmetrical. 

Asymmetry and I are good friends---sometimes we veer way off to the left and sometimes we operate in a more conventional range. What's more important to me in a piece is the balance, not so much the symmetry. 

So I pawed through my bead hoard and came to the last tray in the tower (yes, tower)---the box I reserve for my own polymer clay beads. I keep them at the bottom because I don't make many polymer beads. And the sets I do make tend to get mostly used, leaving one or two left over. Those one or two tend to languish and get forgotten.

This pearly cratered lavender polymer chunk was just the ticket. Its soft frostiness plays a beautifully complementary second-fiddle to the intense ultraviolet flash of Kim's glass. I opted to keep the design simple, pairing each bead with two grungy vintage bone "cruller" beads and capping everything off with some soldering. Sweet, dangly, squeal-er-ific. 

Hope you're having a delicious week!


Nikki
LoveRoot on Etsy

A Healthy Dose of Inner Peace and Sunshine

In an (ongoing) effort to combat my "jeweler's ass", I bought a bike last week. Because let's admit it, sitting for extended periods of time at my jeweler's bench isn't the best form of exercise. 

As a kid, we practically grew up outside---sloshing through creeks, trekking through woods, catching butterflies in fields---exploring, experiencing, growing. A big part of this involved riding our bikes. At a time when we were still too young to drive cars and unable to own horses, having a bike was a great alternative. You could just hop on and pedal away---leaving your worries behind, if only temporarily---powered by just YOU and your sense of direction. It's an empowering thing, when you think about it. 

Flash forward 15 or so years. My parents had recently been cleaning out their garage and doling out childhood items back to my brother and I. It had been years since I had ridden a bike - this was going to be great! The initial excitement about having my old Huffy soon faded when I realized the tires were both flat, the gears rusted, and the brakes dried out and cracked. Old friend, you gave me much happiness, but that chapter has ended. 

So I stewed. And stewed. And then decided to get a new bike.  Not a cheap Walmart bike, but a real grown-up bike that will last me for years. It's sleek, efficient, and just what I need to explore trails. 

I knew that I had missed biking, but I didn't realize HOW much I had missed it until I hit that first downhill coast. You know that feeling you get at the top of a roller coaster when you crest and know that you're about to head down? That delicious anticipation and excitement? And then you're speeding downhill and the wind is whipping your hair and the scenery is blurring past and you're grinning like the biggest idiot alive. THAT. I've missed that.

So instead of slaving away at the stinky claustrophobic gym like a robot this past week, I've been enjoying a healthy dose of inner peace and sunshine. Hell, I even have a little bit of a tan on my lily-white arms. Now this changes everything...

These earrings feature two incredible slabs of chrysocolla stone---the marriage of warm sandy brown to the deep teal veins struck me immediately. I like to let stones like this speak for themselves, so I very simply capped them off using silver solder, oxidized, and left it at that. Long, slender, and serene.

Wising you much peace and much sunshine this week!

Nikki
LoveRoot on Etsy

Cubist Roses

It's not often that I use clearly identifiable imagery in my jewelry. I usually prefer to leave things more abstract and open to interpretation - makes things more interesting and guarantees that no two people will have the same experience. 

However, when I saw these burnt graphic ceramic cubist roses from DonnaPerlinplim, SOMETHING inside me clicked. What IS that that thing? Our muse? Our happy place? The voice that keeps talking and doesn't know when to shut up?

 
I took the background golds, silvers, and ivories and pulled them out using my beloved stacked bead approach: old neolithic quartz trade beads from Africa, discs of real ostrich shell (I know!), shards of crusty Roman glass, and some grungy wee metal bead caps. I finished things off with some globby soft soldering on the wire wraps to make things interesting. 

 
The end result is cubist modern meets grungy primitive - now that's not something you see everyday!

Happy Wednesday!
Nikki
LoveRoot on Etsy

Beauty in the Eyes

 
Isn't it the truth? It's old-timey, cliche, and overused, but the saying that beauty is in the eyes of the beholder will always hold water. One of the incredible things about humans beings is that we all have different ideas of what beauty is---what pleases us, makes us smile, stays in our mind long after the initial vision is gone. 

No one version of beauty will ever trump. How boring would it be if everyone looked the same, anyways? Diversity: it's necessary on a biological level as well as a "keeping your interest" level. 

 


While I tend to mix media with abandon in my jewelry, I like to think that my pieces still share a common aesthetic thread: primitive organics. My version of beauty pays homage to forms occurring in nature---however abstract, however old, however futuresque. I love to mix sprawling organic forms with manmade art beads or vintage bits from the past. 

Today's pair of earrings is no exception. Two segments of copper have been beaten, twisted, and oxidized so that they resemble branches or vines. I strung each hoop with a single vivid otherworldly lampwork glass Basha bead. The dichotomy between the gnarled twisted copper and the striking flash of the beads just makes my neurotransmitters go crazy...in the best way possible. 

So if you've been bored with mainstream ideas of beauty and have always wanted to explore different aesthetics, go ahead and take the plunge---you'll be surprised how many people from your tribe are out there. 

Happy Wednesday!
Nikki 
LoveRoot on Etsy

True Confessions of a Jewelry Artist

I think I have a confession to make: I have artistic ADD. 

This is not something I'm particularly proud of, especially in this world of now-now-now, more-more-more, new-new-new. I try to cultivate mindfulness in other areas of my life, but when it comes to creating, I consistently like to learn new techniques. At my own pace, of course. Now, learning new techniques doesn't mean that I have to abandon current techniques. It all just goes into my arsenal - pieces of the puzzle that can be fit together in any beautifully random way that appeals to me.

I have another confession to make: I'm stubborn. 

I like to do things my own way. I'm not really one to take a class or follow a tutorial. I'd rather fumble around and teach myself until I come up with a method that works for me. I also think this helps me avoid that pesky "copy bug" that sometimes pops up.

However, I have to sing the highest praises for the tutorial I purchased a couple weeks ago. If you're not already familiar with Tracy DiPiazza (pipnmolly on Etsy and DiPiazzaMetalworks on Etsy), please do yourself the favor of clicking and drooling over her amazing works of art. She's been one of my heroes since I first joined Etsy. She has an aesthetic all her own, and her pieces are singular.

Tracy's tutorial gives step-by-step instructions on how to create her signature soft-soldered hollow tin baubles. I've been wanting to learn how to achieve that "blobby solder" look for a while now, and who better to learn from than the master? I used scrap pieces of vintage tin to create the grungy bauble beads you see here. Two old German wood beads plus wee tin bead caps complete the dangly (and surprisingly lightweight) look.

Thank you Tracy for generously sharing your gift!

Happy Wednesday :)

Nikki
LoveRoot on Etsy