The Fringes of Society

Some days we really do feel like telling everyone to just kiss off, don't we? 

All the expectations, obligations, mores, fashion ideals, traditions, and respectability in the world could not mean less to us in these moments. We're looking for a way to express the fact that we're tired of XYZ (insert whatever you please, here). We're over it. All of it. And we're looking for something different. 

See, now, many people may argue that you're being childish, you're pouting, you're rebelling in such a pathetically predictable way. I say this: it's those who are brave enough to leave the herd that are most capable of discovering new ways forward. Getting pissed off can be a good thing if we choose to channel that energy in a constructive way. 

The past month or so I've been coming to terms with the fact that this year has not been among the best. Perhaps I've been in the "anger" stage of coping, I'm not sure. But I'm not too proud to admit that I have had definite moments of rage--a rare emotion for me. 

So it makes sense that I haven't been creating as much in the studio this year. The spark is still there, it's just not burning in quite the same frenetic supernova blaze that it was last year. That's ok, because I'm going to give myself time. I'm going to tell my own self expectations to buzz off. I'm going to give myself permission to not feel guilty for saying "no" to custom orders. And I'm going to take things at my own damn pace. It's the most loving act of rebellion I can think of.

Today's earrings fall nicely in line with my "f-off" mentality, as they're big, they're wild, they're looong, and they refuse to be overlooked. They feature two carved horn shields from India that have been painted or shellacked, resulting in a lovely crackled honeycomb pattern. Truth be told, I could have just hung these charms from ear wires and been perfectly happy. However, I took the opportunity to add in some additional relatively lightweight components to turn them into real statement pieces. Rusty hoops added behind provide a layered halo effect, and a cascade of mixed metal chain fringe spills all the way down to your shoulders, creating music as you move. Everything hangs from my hammered dark copper ear wires and ends up being a lot less weighty than you'd expect. These earrings don't even need to be paired with a necklace, bracelet, or ring--they can stand strongly alone.

Happy Wednesday!
Nikki
LoveRoot on Etsy

Repeat Offender

For those of us who gravitate toward art beads---and who doesn't, really?---we tend to have favorite bead artists that we keep going back to, time and time again. Can't seem to shake em. And just when you think that 1.5 trays of their beads are going to satisfy your hunger, they list new components and you find yourself going back again for another fix, like a zombie in the endless pursuit of BRAAAAAAAINS. 

One of the bead artists on my short list is Marsha Neal. I remember buying from her years ago when I first started designing jewelry and I still buy from her to this day. Her abstract, organic shapes and earthy glazes have captured and held my fascination through quite a lot of creative growth on my part--through it all, her beads have always played a note in my cumulative song.

Some of my favorite beads are her twisted horns. It's clear that she takes great care in forming them but still lets them take on their own unique, evocative shape. I have yet to find two that match perfectly--that's part of the magic, for me.

For this pair, I used a slate blue-gray matte glazed pair of horns, stacked them with vintage German pressed wood beads, and capped them with rusty petal bead caps. Throw in some blackened soldering to fill the gaps, hang them from some of my extra long ear wires, and you've got two edgy pieces of art for your ears.


Happy Wednesday!
Nikki 
LoveRoot on Etsy

Take It Eeeeeeasy

Ever feel like you're taking a cop-out easy route with one of your designs? But you really don't care because the end result turns out so perfectly that you wouldn't change a thing? 
 
I had some of that guilt when I made this pair a couple weeks ago featuring some more of Kimberly Rogers' deliciously mismatched lampwork glass headpins. The glass itself is a very soothing, neutral, streaky birch color---I've been gravitating more and more toward neutrals and earth tones over the past year. I wanted to highlight the fact that Kim deliberately made one headpin twirled like a horn and left the other drippy. What better way to do that than to make one of my soldered caps twirled and the other smooth? And the "I feel so clever" moment: I switched up the swirls. Oooooo, gettin' tricky!


Ok, so it's not a complex design. I could have hung these headpins beneath stacks of grungy precious bits, like I'm wont to do. I could have hung them from gnarly hoops or used them as focals in a chandelier-style pair. But lately I've been craving stated simplicity. 

To be honest, it's almost more difficult to reign yourself in when designing. At least for me, anyways. Plus, I always try to be sensitive to the wearability of pieces. It's one thing to create a masterpiece for a gallery or a competition, but it's another thing to make pieces that people are able to wear and love every day of their lives. That's the miraculous thing about creating art---every artist has unique goals for their work. There's never a wrong or a right answer. It just is. And that's a beautiful thing. 

Happy Wednesday!
Nikki
LoveRoot on Etsy

The Raven

I made these earrings for our Art Jewelry Elements Gift Exchange this year for Jenny Davies-Reazor.

She is a love of Ravens and when I found these gorgeous Carved Ravens I knew they were perfect for her!

I got the Raven's HERE, they have amazing carved pieces and Semi-Precious Stone.

Kristi

KristiBowmanDesign.com

KristiBowmanDesign.Etsy