"Weeds are flowers too, once you get to know them." ~ A.A. Milne

I love playing around with strong contrast, and this pair of earrings has quite a nice mixture of texture and different types of material.

The beautiful porcelain earring charms are by Terri DelSignore of Artisticaos.  They have all the qualities I love - beautiful color, nice lines, and endless possibilities for designing with.

 I decided to build an abstract sort of flowering weed.  I didn't want to add a lot of color to the top of this pair, keeping the focus on the colorful stems. I used dyed lucite berries and added some sweet vintage glass pearls for a little softness and light.  It's a nice sophisticated and versatile color palette this way.

It popped into my head to use some bold rustic metal bead caps to represent the withering sepal. Also, they complement the outline of the leaves. I think the rustic look of the metal lends a nice little element of surprise, too, and really brings the whole design together.

Thank you, thank you, for stopping by to see what's happening on my worktable today!

See you back here in a couple of weeks!  

Loralee xo

https://www.facebook.com/loraleekolton.jewelry/

Mod Squad

Is 'Tribal Mid-century' even a thing?  Well, that's what I'm calling this pair!

Fabulous French artisan lampwork beads by Un Vent de Liberte.

Very cool asymmetrical charms by Yvonne Irvin-Faus which are made of painted plexiglass.

Thanks for stopping by my bead table today!

I know my taste can be eclectic and sometimes I get questions or comments about my stash of supplies. Well, I simply buy what catches my eye or what moves me emotionally. Normally when I make a purchase it will sit in the drawer a long while - even years.  Last week, for example, I bought a tiny vintage glass pickle button, circa 1930.  I have no clue how that will be used in the future, but I know it will be waiting for me when the time is right! 

Loralee xo

https://www.facebook.com/loraleekolton.jewelry/

Cubist Roses

It's not often that I use clearly identifiable imagery in my jewelry. I usually prefer to leave things more abstract and open to interpretation - makes things more interesting and guarantees that no two people will have the same experience. 

However, when I saw these burnt graphic ceramic cubist roses from DonnaPerlinplim, SOMETHING inside me clicked. What IS that that thing? Our muse? Our happy place? The voice that keeps talking and doesn't know when to shut up?

 
I took the background golds, silvers, and ivories and pulled them out using my beloved stacked bead approach: old neolithic quartz trade beads from Africa, discs of real ostrich shell (I know!), shards of crusty Roman glass, and some grungy wee metal bead caps. I finished things off with some globby soft soldering on the wire wraps to make things interesting. 

 
The end result is cubist modern meets grungy primitive - now that's not something you see everyday!

Happy Wednesday!
Nikki
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