Dapping Fool

Isn't it wonderful how new tools can gently help guide our evolution as artists? 

For years the only dapping set I've had was cheap, wooden, and next to useless. It would divot whenever I used it, had way too much "give" when I would hammer, and would chip and flake all over the place. I limped by with it on the few projects where I wanted domed metal discs. Oh, and those metal discs? I was cutting those out by hand and praying to the symmetry gods that everything would turn up roses. I'm all for winging-it in the studio and making do with what you have, but come on, this was complete amateur hour. 

A month or so ago I decided enough was enough--I needed a decent set of graduated metal dapping punches, a dapping block, and a disc cutter. In other words, I was putting my artistic big-girl-panties on and growing up a bit. And the difference has been night and day.

So since I've been DAPPING EVERYTHING IN SIGHT lately, the other week I had a notion to experiment with some half-hollow forms. The idea happened to coincide nicely with a new order of deliciously primitive ceramic cone beads from NadiaTerra. The result: half ceramic, half copper, scrappy little oddities. I'm reminded of excavated ancient pottery and weathered bronze age metalwork. 

I cut, textured, and dapped copper discs into domes, strung them on my own fat-bottomed copper headpins along with the ceramic cones, and connected both halves with a ribbon of blackened silver solder. A dot of solder on top, an oxidation bath, and a good seal with wax, and there you have it. 

The only downside to my new tools--I may have to invest in a good pair of noise cancelling headphones for my husband, as I'm sure all this hammering is less than acoustically pleasing... 

Happy Wednesday!
Nikki 
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