As a designer who gravitates toward earrings, I'm always thinking in terms of pairs, especially when it comes to purchasing art beads. It's just one of those things that gets engrained in your brain and becomes second nature---like riding a bike, remembering to turn off the burner when you're done cooking, or making sure you put on deodorant each morning.
So when Kim of NuminosityBeads threw me for a loop and offered just ONE of these crazy glowy ultraviolet etched dichroic lampwork glass beads, well, I was vexed. Panting, starting to break out into a cold sweat, I assured myself that I could incorporate it into a necklace...make it a focal...pair it with other complementary beads. It will be fine, right? RIGHT??!!
Against my better judgement, I was determined to make it work in a pair of earrings. Which could only mean one thing: it was time to get asymmetrical.
Asymmetry and I are good friends---sometimes we veer way off to the left and sometimes we operate in a more conventional range. What's more important to me in a piece is the balance, not so much the symmetry.
So I pawed through my bead hoard and came to the last tray in the tower (yes, tower)---the box I reserve for my own polymer clay beads. I keep them at the bottom because I don't make many polymer beads. And the sets I do make tend to get mostly used, leaving one or two left over. Those one or two tend to languish and get forgotten.
This pearly cratered lavender polymer chunk was just the ticket. Its soft frostiness plays a beautifully complementary second-fiddle to the intense ultraviolet flash of Kim's glass. I opted to keep the design simple, pairing each bead with two grungy vintage bone "cruller" beads and capping everything off with some soldering. Sweet, dangly, squeal-er-ific.
Hope you're having a delicious week!
LoveRoot on Etsy